Candidatos ao Oscar 2020 - Melhor longa-metragem internacional.

Em construção!!!

93 Candidatos

Categoria de melhor filme estrangeiro mudou de nome para melhor longa-metragem internacional!

-África do Sul, “Knuckle City,” Jahmil X.T. Qubeka**

-Albânia, “The Delegation,” de Bujar Alimani.

-Alemanha, “System Crasher" de Nora Fingscheidt

-Arábia Saudita, “The Perfect Candidate,” de Haifaa Al Mansour

-Argélia, “Papicha,” de Mounia Meddour.

-Argentina, “Heroic Losers” (A Odisséia dos Tontos) de Sebastián Borensztein;

-Armênia, “Lengthy Night,” de Edgar Baghdasaryan**

-Austrália, “Buoyancy,”(Empuxo) de Rodd Rathjen.

-Áustria, “Joy,” de Sudabeh Mortezai

-Bangladesh, “Alpha,” de Nasiruddin Yousuff**

-Bielorrússia, “Debut,” de Anastasiya Miroshnichenko

-Bélgica, “Our Mothers,” de César Díaz

-Bolívia, “I Miss You,” (Tu me Manques) de Rodrigo Bellott

-Bósnia e Herzegovina, “The Son,” de Ines Tanovic***

-Brasil, “Vida invisível,” de Karim Aïnouz

-Bulgária, “Ága,” de Milko Lazarov

-Cambógia, “In the Life of Music,” de Caylee So e Sok Visal**

-Canadá, “Antigone,” Sophie Deraspe

-Cingapura, “A Land Imagined,” (Uma Terra Imaginada) de Yeo Siew Hua

-Chile, “Spider,”(Aranha) de Andrés Wood

-China, “Ne Zha,” de Yu Yang

-Colômbia, “Monos,” de Alejandro Landes

-Coreia do Sul, “Parasite,” de Bong Joon Ho

-Costa Rica, “The Awakening of the Ants,” de Antonella Sudasassi Furniss **

-Croácia, “Mali,” de Antonio Nuic

-Cuba, “A Translator,” de Rodrigo Barriuso e Sebastián Barriuso

-República Tcheca, “The Painted Bird,” (O Pássaro Pintado) de Václav Marhoul

-Dinamarca, “Queen of Hearts” (Rainha de Copas) de May el-Toukhy

-Egito, “Poisonous Roses” (Rosas Venenosas) de Ahmed Fawzi Saleh

-Equador, “The Longest Night,” (La Mala Noche) de Gabriela Calvache

-Eslováquia, “Let There Be Light,” de Marko Skop

-Eslovênia, “History of Love,” de Sonja Prosenc

-Espanha, “Pain and Glory,” de Pedro Almodóvar

-Estônia, “Truth and Justice,” de Tanel Toom

-Etiópia, “Running against the Wind,” de Jan Philipp Weyl

-Filipinas, “Verdict,” de Raymund Ribay Gutierrez

-Finlândia, “Stupid Young Heart,” de Selma Vilhunen

-França, “Les Misérables,” de Ladj Ly

-Geórgia, “Shindisi,” Dimitri Tsintsadze, diretor;

-Gana, “Azali,” de Kwabena Gyansah**

-Grécia, “When Tomatoes Met Wagner,” de Marianna Economou**

-Holanda, “Instinct,” de Halina Reijn

-Honduras, “Blood, Passion, and Coffee,” de Carlos Membreño**

-Hong Kong, “The White Storm 2 Drug Lords,” de Herman Yau**

-Hungria, “Those Who Remained” (Akik maradtak) de Barnabás Tóth

-Islândia, “A White, White Day” (Um Dia Muito Claro) de Hlynur Pálmason

-Índia, “Gully Boy,” de Zoya Akhtar

-Indonésia, “Memories of My Body,” de Garin Nugroho

-Irã, “Finding Farideh,” de Azadeh Moussavi e Kourosh Ataee

-Ireland, “Gaza,” Garry Keane, de Andrew McConnell

-Israel, “Incitement,” de Yaron Zilberman

-Itália, “The Traitor,” de Marco Bellocchio

-Japão, “Weathering with You,” de Makoto Shinkai

-Kazaquistão, “Kazakh Khanate. The Golden Throne,” de Rustem Abdrashov**

-Quênia, “Subira,” de Ravneet Singh (Sippy) Chadha**

-Kosovo, “Zana,” de Antoneta Kastrati

-Kirgistão, “Aurora,” de Bekzat Pirmatov**

-Letônia, “The Mover,” de Davis Simanis

-Líbano, “1982,” de Oualid Mouaness

-Lituânia, “Bridges of Time,” de Audrius Stonys e Kristine Briede

-Luxemburgo, “Tel Aviv on Fire,” de Sameh Zoabi

-Malásia, “M for Malaysia,” de Dian Lee e Ineza Roussille

-México, “The Chambermaid,” de Lila Avilés

-Mongólia, “The Steed,” de Erdenebileg Ganbold**

-Montenegro, “Neverending Past,” de Andro Martinović

-Marrocos, “Adam,” de Maryam Touzani

-Nepal, “Bulbul,” de Binod Paudel**

-Nigéria, “Lionheart,” de Genevieve Nnaji

-Macedônia, “Honeyland,” de Ljubo Stefanov e Tamara Kotevska

-Noruega, “Out Stealing Horses,” de Hans Petter Moland

-Paquistão, “Laal Kabootar,” de Kamal Khan**

-Palestino, “It Must Be Heaven,” de Elia Suleiman

-Panamá, “Everybody Changes,” de Arturo Montenegro

-Peru, “Retablo,” de Alvaro Delgado Aparicio

-Polônia, “Corpus Christi,” de Jan Komasa

-Portugal, “The Domain,” de Tiago Guedes

-Reino Unido “The Boy Who Harnessed the Wind,” de Chiwetel Ejiofor

-República Dominicana, “The Projectionist,” de José María Cabral;

-Romênia, “The Whistlers,” de Corneliu Porumboiu

-Rússia, “Beanpole,” de Kantemir Balagov

-Senegal, “Atlantics,” de Mati Diop

-Sérvia, “King Petar the First,” de Petar Ristovski**

-Suécia, “And Then We Danced,” de Levan Akin

-Suíça, “Wolkenbruch’s Wondrous Journey into the Arms of a Shiksa,” de Michael Steiner

-Taiwan, “Dear Ex,” de Mag Hsu e Chih-Yen Hsu

-Tailândia, “Krasue: Inhuman Kiss,” de Sitisiri Mongkolsiri

-Tunísia, “Dear Son,” de Mohamed Ben Attia

-Turquia, “Commitment Asli,” de Semih Kaplanoglu

-Ucrânia, “Homeward,” de Nariman Aliev

-Uruguai, “The Moneychanger,” de Federico Veiroj

-Uzbequistão, “Hot Bread,” de Umid Khamdamov**

-Venezuela, “Being Impossible,” de Patricia Ortega**

-Vietnã, “Furie,” de Le Van Kiet